Slog2 vs slog3 a7iii TLDR:HLG3 is better. I have also used cine and hlg profiles when shooting in low light and other general scenarios, but I tend to not use hlg anymore and use slog2 in the times where I would have used hlg. S-Log gives you the freedom to create dazzling pictures which retain as much of the relevant image information as possible, despite the limitations of the display technology. S-Gamut3. What should I use if I want to edit in Davinci Resolve, for instance ? If the answer is SLog3, then it makes more diffcicult to quickly share an unedited short clip out of the box (such as familly and fiends just for the record, waiting for a proprer processing). cine transformed to ACES color space using Sony’s IDT in Davinci Resolve. Slog profiles are best avoided for lower light scenes. cine version (when you customize pp8), since its primaries are closer to rec709, and video editors & monitors will have a slightly better chance of reducing that gamut to rec709. patreon. Therefore slog is inferior to a less-flat picture profi May 8, 2018 · Slog2 to Slog3 for example. In contrast, it is easy to appreciate how much broader S-Gamuts used in S-Log recording are. HLG-2 or Cine-4 give a good balance between dynamic range and clean natural colors right in camera. Noise reduction OFF. The other day I was filming a concert. Mar 27, 2019 · Shooting Slog 2 vs CINE4 on the Sony A7III Francis Joseph D'Costa March 27, 2019 Blog No Comments Log files are known to offer more flexibility in post-production as the use of a logarithmic compression allows camera makers to squeeze more information inside the same bitrate. Slog2 is the cleanest with minimal issues in the highlights. Slog2 is better in good lighting conditions. But honestly, I think that the highlight roll-off in slog2 is much nicer than in any of the cine gammas. Daytime you should be okay. OmarCCX's gear list: OmarCCX's gear list Fujifilm X-T3 Fujifilm XF 23mm F1. Note on the video: Everything exposed at base 2000EI ISO. Dec 1, 2020 · Should you shoot S-LOG 2 or S-LOG 3 on your Sony Camera? In this video, I shoot in both SLOG-2 and S-LOG3 on the Sony A7III to see which will look better! I Dec 21, 2016 · S-Log2 captures more dynamic range than S-Log3, it goes to a higher level on the waveform, S-Log3 clips the highlights sooner. Middle grey/90% white for SLog2 is 32%/59% and 41%/61% for Slog3 so it's going to be darker than the hyergamma exposure. Comparing HLG2 and S-LOG2 showing dynamic range tests. Nov 24, 2024 · How To Easily EXPOSE SONY SLOG3 Correctly For beginners on Sony A7IV - FX3 - A7III - A7sIII - FX30 - Settings & Exposure - CINEMATICIn this video I’m sharing Mar 31, 2021 · Color Presets For My Favorite Picture Profile: https://whoismatt. Have any other questions? Make sure to Here, the curved color space represents the range of human vision. be/QgWueYLkVVQ. I love the image. Jun 10, 2021 · To preface, we should run through the basics: S-Cinetone: 709-like look with “cinema” color, fastest workflow in post; S-Log3: traditional “ultra-flat” log gamma with maximum dynamic range, longest workflow A LUT (Look-Up-Table) is simply a table of fixed numerical values that can be applied to video to alter its look. 1D LUTs are the simplest, each input value mapping to a single output value, while 3D LUTs are more sophisticated and can apply to a co-ordinate set of colours. Color Presets For SLOG3: https://whoismatt. It delivers smoother gradations (transitions between colors and tones) in shadows and mid-tones, making it ideal for capturing natural-looking footage. S-Log3 can capture up to 14+ stops of dynamic range, whereas S-Log2 is limited to approximately 13 stops. Second clips are for skin tones, Still the sa What am I supposed to do on this thing? Sep 14, 2020 · Dynamic range is always a hot topic so today I wanted to bring you my best tips and tools for maximizing the dynamic range on your Sony A7III. The gamut of Rec. Nov 21, 2022 · On my A6600, I have SLog3 and SLog2. For instance, when I switch the color space to rec. ly/RobHKGet a 30 DAYS FREE Trial on Epidemic Sound for awesome Musi Slog3 is fine on 10bit footage and above. SUBSCRIBE NOW : https://www. Dec 11, 2022 · In this video we are taking a look at the HLG3 and S-Log2 Picture Profile with the Sony ZV-E10 to see what works better for an indoor studio or YouTube setup Jan 8, 2023 · In this video I'm exploring the difference between using S-Log3 and HLG3 on the Sony a7iii. Think about how the first mirrorless cameras with a true log profile were stuck with 8-bit footage, which can be problematic when you try to push the grade. com/p/ysPw/SLOG Video : https:// Nov 4, 2021 · SONYカメラのSlog2・Slog3の違いや設定・撮影時の使い方・編集方法まで徹底的に解説しております。Slogに対応しているSONYカメラを使用している方は誰でも参考になると思います。また、特に動画撮影時に注意する点やポイント等はかなり参考になるのではないかと思います。 S-Log2 กับ S-Log3: ท่านควรจะใช้อันใด? S-Log3: สิ่งนี้เป็นตัวเลือกที่อยากจะแนะนำมากที่สุดสำหรับสถานการณ์ส่วนใหญ่ จะให้การไล่ระดับ (การเปลี่ยนผ่านระหว่าง Yeah it probably looks more natural when you use the CST node on gamma as well. The advantage of S-Log is far greater control over the final image than material shot natively in REC. I talk through when to use different picture profiles and why Mar 26, 2018 · Activating S Log 2 / S Log 3. It’s kind of apples to oranges to compare… Slog3 is a color space - a flat picture profile, designed for max latitude while grading. Feb 5, 2019 · For example stop 'clip-3' Slog2 has 120 levels of gradiation while Slog3 has 80 levels of gradiation, the latter would fall apart more easily when graded hard and would tend towards banding. I suggest testing so you can see it. my footage when the Sony fs5 slog2 to rec 709 utility lut is applied. Oct 2, 2018 · I know that you're not supposed to crank up ISO when you shoot slog2 because it introduces noise. Footage can also get noisy even when properly exposed so have noise reduction plugins in post. Buried deep within the 5th camera sub-menu, you will find Picture Profile. PP7, PP8, PP9, Slog2 and Slog3 are explained in this video. 709 is much narrower. epidemicsound. Both are very good in capturing a high dynamic range video but wh Jun 11, 2023 · How to film in SLOG3. Use wide aperture primes 1. 7 to +2. com/p/9euU/HLG Video: https://www. For further details, please refer to the website below. It allows me to add a blanket lut and grade across an entire project and I really like it. Sep 14, 2020 · Dynamic range is always a hot topic so today I wanted to bring you my best tips and tools for maximizing the dynamic range on your Sony A7III. Slog3 and Slog2 were actually at the exact same T-Stop, despite having different middle grey points. Reply reply More replies DannyVFilms Even slog2 is a stretch, but if you're filming at night, 100% don't do it. com/lutsHere's how to QUICKLY & EASILY film in Sony's SLOG3 Picture Profile, including how to expose properly & Hey everyone! I recently started using S-log 2 again I hope you enjoy this video and find some information useful :)Joon's Channel: @boywithacamera Use co Jun 12, 2019 · HLG LUTs : https://sellfy. Or Slog3 to Arri CLog. Mar 30, 2022 · I'll only use SLOG3 on the A7S if I need to shoot higher than 2000 ISO to use SLOG's 12800 2nd ISO gain. I find I use slog2 in most situations, especially if I'm shooting an high dynamic range scene, as I find the cine profiles clip the highlights too soon for my taste. Sep 30, 2022 · To answer your question, for me, I shoot in slog3 because it's an essential part of my workflow. Inside, you will find 10 preset slots that you can modify and customize. squarespace. If I’m comparing slog3 vs eoshd while filming 1080p 60fps in camera, even exposed properly, slog3 just falls apart horrifically as soon as you try to grade it. So, you do not have to worry about these different exposure settings. We just passed 1K! Woohoo!----- Jan 20, 2021 · Filming in Log. I also know that some people prefer cineprofiles in low light situations. But because of that, it "compresses" more data into the curve, so if the video is only 8bit a lot will be lost because it doesn't have enough bit depth to handle all the information os Slog3. com/RobHKGet Better at LumaFusion Editing: http://bit. S-Log3: Which Should You Use? S-Log3: This is the recommended option for most situations. Slog3 on the A7iii is garbage. com/davidmanningjun23MY CAMERA GEAR:Main Camera: Sony a7SIII - https://geni. com/watch?v=IZAh53mUE_4&t=184sSLOG LUTs : https://sellfy. . com/lutsWhich picture profile should you choose when shooting with Sony's latest cameras l On the 8-bit Sonys, anything other than Cine or Slog2 will give you ghosting. Today we discuss my methods for shooting and exposing with SLOG-2 on the Sony A7iii. 709. 0 stops. On most of Sony’s current cameras S-Log2 and S-Log3 both currently record exactly the same dynamic range as this is limited by the sensors that Sony are using. Just a simple test between Cine4 vs SLOG2 vs SLOG3 on the Sony a7iii during an overcast day in downtown Denver. Episo #sonyfx30 #slog2 #slog3Trying to understand log footage in Sony cameras? We got you covered! PP7, PP8, PP9, Slog2 and Slog3 are Nov 3, 2021 · Lastly, in this row we have Slog3. I'd stick with cine2 or cine4 in this case. We go over Cine2 vs HLG vs SLOG2 and SLOG3, how false color helps and one tool you can use to help get better in camera results. d-imaging. 8-1. But your raw source probably (being 12bit?) might have 400 or so levels, so would, when graded, not collapse like the thinner of the XAVC examples might. Then in post, after transforming Slog3 to REC709, adjust so the images look good to you. Slog-2 works but you need to slightly over-expose to expose properly, usually +1. yourself, but we found that any movement in HLG or Slog3 creates super weird artifacts. Cine EI (exposure index) is an exposure tool that allows you to shift your dynamic range to get an extra stop in the shadows or highlights, depending on if you go +/-. Color graded with my LUTs | https Well, take for example the case of the "low light scene. " People will sometimes say that in this case, what you want is low light sensitivity (because the subject is dark) and you don't care about dynamic range (the difference between the lightest and darkest pixels) because the whole image is dark. 709, I also switch the gamma to 2. Sep 11, 2021 · My ungraded footage from fs5 - shot in 4k slog2. 2 R +1 more Hi guys, I decided to a Slog2 vs Slog3 vs HLG3 Extremely High Dynamic Range test to see which one of these sony picture profiles do better in terms of dynami Jun 27, 2019 · While we wait for the A7SIII to break the surface and appear like some white whale we are all expecting, we have to live with the A7III and the files it gives us. We think that the current IDT is not meant to be used with Sony’s mirrorless cameras, which is why the results don’t look good with the green tint over the skin tones and skewing background color towards purple. Which do you prefer S-Log2 or Cine4? Feb 27, 2020 · 說到a7iii，你是否也有 slog & hlg 選擇障礙? 在 大家苦苦等待第三代A7S的來臨之時，A7III的市佔率其實也算是到了一個飽和的狀態，這確實也是個成功的產品，能以滿足大部份人的拍攝需求，這得歸功給SONY強大的感應器技術和強大的色彩風格檔。 Dec 5, 2019 · I’ve been bouncing between Slog2 and HLG3 but leaning more towards Slog2 with Pro color. If you rather use slog-3, use sgamut3. ? I'd leave log for some time when you have a chance to experiment. Due to the nature of digital products, we cannot accept refunds and all sales are final. comSupport me on Patreon HERE:https://www. The quick and fast rule is Slog3 if you’re shooting 10bit and want to spend time dialing in the grade in post, 709 if you want to get the project edited and out the door (I recommend S-Cinetone, it’s excellent for getting nice colors in camera). Slog-2 can go up to 12 stops of DR. This is a great video comparing S-Log2 vs HLG3 on a Sony A7iii. us/DMA7SiiiPhoto Came The advantage of S-Log is far greater control over the final image than material shot natively in REC. Exposed using grey card and false colour, as well as light meter. Just make sure you don't get hot spots, blow the highlights. Standard log profiles on an 8-bit codec just doesn't have the data and falls apart quickly when converted to rec709. Log is a method of compressing the colors and dynamic range of the image into a signal that retains the most information for professional color grading in post. Many yrs ago I played with a SLog file in Premiere Pro, and you can select different LUT for best Apr 4, 2022 · Today we are diving into Sony's special S-Cinetone profile to see if it's something that I personally would use on projects. 709 — In-Camera (to monitor images) Compatible with Sony cameras shooting in S-Log2 or S-Log3 color science: FX3, FX30, FX6, FX9, As7III, a7III, a7rV. A video on which picture profile I use. Apr 5, 2023 · Although both S-Log2 and S-Log3 serve a similar purpose, there are some key differences between them that are important to know! S-Log3 provides a slightly higher dynamic range compared to S-Log2. Was using SLog2 and Sgamut3. http://support. Comparing the dynamic range & gamma options of the Picture Profiles for Sony cameras like the Sony a7 III such as Cine2, Cine4, HLG, HLG3, S-Log2, & S-Log3. Recommend to play on chrome at 4K to full Quality!!!!Quick test video of @psycamaro. If you want to shoot log I'd recommend trying out slog2 with the itu709 gamma (based on the DSLR video shooter YouTube channel setup). If you check it Make Art Now on YouTube, he has a really nice custom profile that he made for nighttime shooting on the A7III. Aug 2, 2017 · In this video, you can see how S-Log2 colors differ from those of S-Log3. Could be a LUT compatibility issue between software and SLog2. Don’t get me wrong, though, the A7III is still a great camera, and it will be worth for years to come thanks to the great sensitivity of the sensor and the various picture profiles it offers. Thanks for watching and subscribing. Can confirm a7iii can shoot in slog2/3. Sony SLOG3 settings give you an amazing dynamic range and color information. 4 in the editor rather than leaving the gamma at HLG. cine but I think Pro Here, the curved color space represents the range of human vision. 4 R Fujifilm XF 56mm F1. 2 and /or use lots of light. To better understand the technicalities of Sony’s SLOG3 Settings, we highly suggest watching this youtube video by Gerald Undone. Slog3 is designed to fit more dynamic range and information, so it's the best profile for 10bit 422 cameras. You'll have a noisy mess on your hands. First off need to know what video editing software you are using. youtube. sony Oct 31, 2022 · Today I'm going through some of my most-asked questions from viewers like you about SLOG2 and Sony Mirrorless Cameras. Apr 10, 2020 · The easiest to expose and to grade is HLG3 but has less dynamic range. S-Log2 vs. Especially when paired with 4:2:2 10 bit color. It can change an image’s contrast or colour or both. HLG3 in 2020 is nice but weird in the green/blues. Check this https://youtu. com/user?u=32526095&fan_landing=trueCheck Capture everything with S-Log from Sony The benefits of S-LogCapture a wide range of tonesShoot in a wide colour gamutMore information, more controlLut's Dow Dec 8, 2021 · Among the biggest battles with mirrorless cameras gaining pro video features has been how to best work with log footage. Of course, noise has been a hot topic for a long time. Maybe at the end of this shoot add in a few minutes to try some Slog2 or Slog3 shots. Mar 16, 2023 · Shooting in Slog3 and 10bit color gives you enormous latitude to adjust colors and exposure in post. HLG3 is more suitable for all conditions. Only shoot S-Log2 if you're outside where there are extrem 🎵FREE TRIAL OF EPIDEMIC SOUND: https://share. way better. This is good to know if you use a light meter. Oct 5, 2020 · Check out my Website HERE:https://seoulcenteredfilms. If you have a white background though you’re going to lose that detail, and there’s not enough color info to bring Nostalgia Rec. Understanding the importance of shooting in Log is the first step in understanding how to properly use your Sony A7S III. xsil xvnbpoh nmmgpi qkf bvrfblw izutxh frnjxho stoxasc gxnis telaw